interpretive headbanging
When I was an exchange student in Sweden, I went to an art school. This was great because language wasn't so much of an issue as it may have been if I had been enrolled in a literature or science program (classes are generally taught in Swedish). Basically, I just kind of followed along. I didn't always know what people were talking about, but I could get by... oh we're doing watercolors today? Okay, got it. I remember the day we all went upstairs to the nice, light-filled studio. Everyone started pulling out their easels so I followed suit. I figured we were going to do still-lifes, like we had done the week before. Nope. In comes a robed woman. Nude sketch time. It was a little bit of a surprise for an awkward and overwieght 15 year old like myself at the time. But surprises in class could be really fun -- I had this one class I think somebody translated it to me as "Art Through Movement". I'd call it a cross between improve acting, modern dance, and kindergym. Sometimes music would come on and students were supposed to express the music with their entire bodies. We'd use movement to display our interpretations of emotions, animals, even colors.
My very first day of school at Sundsta-Älvkulle gymnasiet, my Swedish high school, I thought I was all set in the perfect outfit - a black, fitted long sleeve shirt and a blue, black, and white wrap skirt (wrap skirts were really in at the time). I think the skirt had turtles on it - it was sort of that batik style - pretty cute. I had my outfit planned to a tee. I must have tried it on 10 times before my inaugural day of school. And get this: my first damn class was "Art Through Movement". Well, if you've ever worn a wrap skirt like the one I had, you know that large body movements are not that easy. Also, I hadn't anticipated the fact that we'd be sitting cross-legged on the floor. Hmm... sure wished I had tested out the cross-leg posture one of those 10 times I tried on the skirt. Haha okay, but I'm getting off topic. I'd like to build on this introduction to fast-forward about nine years to tonight.
After a day spent at the Living Room cafe, working on TA stuff and a sprinkling of thesis work, I rested my brain to head down the boulevard to Last Call, where my friend Susan's boyfriend Chad was playing with his new band. Last Call is sort of in a seedy neighborhood (which, incidentally, is just a few blocks from my house...) and I don't really like walking through the streets there at night. All of the past times I've been there, it's super-easy to park close to the bar because it's always been a weeknight. Usually it's just my group of friends and a few other people. It's got the Mo's Bar vibe -- really laid back. The bartender is friendly and the drinks are cheap -- strong mixed drinks for $3 and $1 kamikazee shots everytime a siren goes down the street. And lemme tell you, El Cajon Blvd. has tons of ambulances and police cars zooming down it!
So anyway, tonight Last Call was a different story than usual. As I drove by searching for a nearby parking spot, I saw what appeared to be people spilling out the door of the bar. I circled the surrounding blocks, searching for a parking spot. Eureka! I finally found a spot that was really close to the entrance. I walked in to Last Call. And yes, of course, no cover charge despite the fact that a great local band was playing. I searched in vain for Susan, finally spotting her in the back of the bar with Chad as the band was setting up. It was at this moment that I was glad it had taken me so long to park, leaving less pre-concert time to awkwardly and soberly stand around. I guess I'm a bit of an introvert. I recharge my battery by being in the comfort of my own home, vegging out alone or with really close friends. I'm not the kind of person that gets totally energized by meeting new people. It drains me. So here I was at Last Call, realizing that Susan was busy with the excitement of Chad's first night playing and chatting with her coworkers, who I happened not to know... She politely introduced us. But somehow I found myself standing on the outside of their circle. Wha? "Try not to act awkward. I'm not awkward, I'm not awkward, fake it till you make it, I'm not awkward... heh heh ehhhh... yea. Good times. When is the damn band gonna start already?" They were supposed to start at 11pm. I figured arriving at 10:50 would give me just the right amount of "hello" time before the music started. Yeah... they started around 11:40 or something. But once they started everything took a turn for the better. Maybe it was the Bud Light I had consumed during the first hour of being there, or maybe it was because I forced myself to make conversation with Susan's friends (heck, if they weren't going to try to talk to me, maybe I should just start asking them about themselves? people like talking about themselves. for some reason, they end up leaving the conversation thinking you're brilliant, without actually knowing much about you...), or maybe it was becoming fun because the band was great. They had the 90s-throwback vibe -- a No Doubty groove with the cute/punky female lead vocalist and men on all the other instruments. The ska-ish horns sound was supported by Chad on the sax. It was really fun to see the band members rotate around the instruments. The lead guitarist sat down at the drums after awhile, the bassist sang for a bit, Chad played keyboard and bongos, etc. The audience had the typical "we support our local band, yeah, the vocalist is my boss, and the drummer is my neighbor" energy which only added to the excitement and enthusiasm in the bar. This was great. I didn't even really mind the somewhat annoying, boobalicious hoochie chickies that were incessantly booty bumping me as they were dancing (aka flailing) and singing (aka screaming). I was enjoying the music.
Enter headbang chick. You've seen her before: she's got the long blond hair (how is it so long and healthy looking? props to her for that), the really loose board shorts, the baggy t-shirt or tight racer-back tank top, and the sunglasses propped up as a headband, no makeup. She looked like she rolled off the skateboard, into the '89 volvo, and off to Last Call. As she took center stage (seriously. she was about 3 feet from the band's vocalist), I was reminded of my Art Through Movement class. Of course, she through in some air guitar chords and some skankin pickle jumps. But the crowning move was the enthusiastic headbang. Her lucious hair flung around so artfully that I had to appreciate it. Especially hilarious was how she seemed to have no concept of human proximity. Occasionally strands of hair would flick Autumn (vocalist) on the arm, or thwap some dancing dude in the face. She took headbanging to a new level. (how were those sunglasses staying on her head??) I got the feeling that she was channelling emotion, animal spirits, or perhaps her interpretation of color through her dance. Go on with your bad self girl!



